Bardem gives a monosyllabic performance of few words and much overwrought hysteria. A great chunk of the running time is devoted to dysfunctional suffering and passive facial grimaces. After an hour of this tedium, you stop worrying about where this disaster is going, or if it’s going anywhere at all. In the end credits, 28 producers are listed for an 85-minute film that doesn’t appear to have even had one.
You had me at "hello"就很可以但是感觉这作为一个励志片(爱情太多事业太少儿子超可爱儿子无敌可爱可以理解为了儿子和老婆结婚(喜欢被喂草莓的部分也喜欢被未婚妻打的部分也喜欢戴着墨镜跳绳的部分www非常喜欢和小孩的几段戏份孤注一掷电影真的太靓汤本人了(我的误解中)就……作朋友好过作老公吧(而且最后我也不觉得其实解决了男女感情的部分